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Home » piano chord you raise me up » who can transfer this chords to flute or keyboard??

who can transfer this chords to flute or keyboard??

Q. who can help me transfer this chords to flute or keyboard chords..pls..tnx..

the chord can be seen in this web page

http://www.gangqinpu.com/html/39.htm

it's entitled ä¸ä¸ç«å¤©å by twins

A. the piano part will work on a keyboard without transposition, and i believe it will go smoothly if you raise the piano treble up an octave for the flute, which is a C-pitch instrument.

Original Question

piano chord progressions in first and second inversions?
Q. What are the notes for the left and right hands? Use F major and C-sharp minor as examples. I need the raised 7th and diminished 7th chords as well.
I know that for root position, the notes are as follow:
F A C
A C F
C F A (for F major)

C# A G#
A G# C#
G# C# A (for C sharp minor)

but I don't understand how to invert the other two sets of chords.
Thanks in advance!!
whoops i meant to say E instead of A for the C sharp minor chord.
so C# E G# and so on

A. For the Mm 7th Chord in F
root- FACEb
1st inversion- ACEbF
2nd Inversion-CEbFA
3rd Inversion-EbFAC

For a F7 diminished

FAbCbEb
AbCbEbF
CbEbFAb
EbFAbCb

For a F Major7 Chord
FACE
ACEF
CEFA
EFAC

For a C#Dim7
C#EGBb
EGBbC#
GBbC#E
BbC#EG

For a C#M7
C#E#G#B
E#G#BC#
G#BC#E#
BC#EG#

I hope this is helpful. I wasn't quite sure what you wanted.
The difference in the inversions between 7th chords and traids is the that there is one more inversion and one more note.

If you are taking about figure base the numbers indicate the chord and the intervals between the notes. Therefore there is a differences in numbers because the difference in intervals of the notes.

Original Question

what are the notes that make up the piano chords?
Q. a few if not all would be appreciated

A. Basically, any 2 or more notes played or sounded at the same time would make a chord. Common misconceptions about what a chord is: it has to be a mixture of 3 or 4 (for seventh chords) notes, they have to be tertian chords (members of the chord have to be a third above or below each other), and they can be only major, minor, augmented, or diminished. These ideas are wrong. Any 2 or more notes played together can be called a chord (even if the two notes are of the same pitch class). The reason why the term "chord" gives almost everyone a notion that it is a tertian mixture of 3 or 4 notes is because that is the common practice for most classical composers, however; the true meaning of "chord" is what I have stated above.

If you are pertaining to common chords used in tonal music, then I can teach you how to make chords with any note as a root (the main center of the chord).
First, pick any note; this will be your "root".

For major chords, find the note 4 steps above the first note (include black keys in your counting). This is the "third" of your chord. Then find the note 3 steps above the second note. This is the "fifth" of your chord. Example, C-E-G is a major C chord. (C)

For minor chords, take the major chord, then move the third one step down. Example, C-Eb-G is a minor C chord. (Cm)

For augmented chords, take the major chord, then move the fifth one step up. Example, C-E-G# is an augmented C chord. (Caug)

For diminished chords, take the minor chord, then move the fifth one step down. Example, C-Eb-Gb is a diminished C chord. (Cdim)

To make dominant seventh chords, take the major chord and add a note 11 steps above your root. Ex. C-E-G-B = C dominant7 (C7)

To make major seventh chords, take the major chord and add a note 10 steps above your root. Ex. C-E-G-Bb = C major7 (CM7)

To make minor seventh chords, take the minor chord, and add a note 10 steps above your root. Ex. C-Eb-G-Bb = C minor7 (Cm7)

To make half-diminished seventh chords, take the diminished chord, and add a note 10 steps above your root. Ex. C-Eb-Gb-Bb = C half-diminished7 (Chdim7)

To make wholly-diminished seventh chords, take the diminished chord, and add a note 9 steps above your root. Ex. C-Eb-Gb-Bbb (or A) = C diminished7 (Cdim7)

You may invert your chords. Inversion means to raise the lowest note of your chord by an octave. C-E-G can be inverted to E-G-C and G-C-E, without changing the name of the chord. If the root is the lowest note of the chord, it is called "root position chord". If the third is the lowest note of the chord, it is called "first inversion". If the fifth is the lowest note of the chord, it is called "second inversion". If the seventh is the lowest, it is called "third inversion".

This works for any chord with any root. This may seem to be complicated at first, but once you master this then you can spell any tonal music chord with ease.

Original Question




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Posted by KickAnswers on - Rating: 4.5
Title : who can transfer this chords to flute or keyboard??
Description : Q. who can help me transfer this chords to flute or keyboard chords..pls..tnx.. the chord can be seen in this web page http://www.gangqinpu...

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