Q. I have been looking for this song for a while and am looking for the actual SHEET MUSIC. (Please note: I know the chords are available on their website, but I'm looking for the actual sheet music with a staff and notes.)
Hope you can help & thanks in advanced!
A. Armani records has every song from Isaiah Six's Jealous One CD professionally scored into sheet music. Now offered for download complete with vocal, Piano and Guitar parts, and chord charts.
http://www.amanirecords.com/products/Jealous_One_Song_Book-9-2.html
where do you get the complete information about piano chords for free?
Q. Piano chords
A. Hope this is what you're looking for =)
http://www.berm.co.nz/chords/piano.html
http://www.8notes.com/piano_chord_chart/
http://www.kidung.com/chord_piano.htm
How did Thelonious Monk become known as the "High Priest" of bebop?
Q.
A. Admitted to Peter Stuyvesant, one of the cityâs best high schools, Monk dropped out at the end of his sophomore year to pursue music and around 1935 took a job as a pianist for a traveling evangelist and faith healer. Returning after two years, he formed his own quartet and played local bars and small clubs until the spring of 1941, when drummer Kenny Clarke hired him as the house pianist at Mintonâs Playhouse in Harlem.
Mintonâs, legend has it, was where the âbebop revolutionâ began. The after-hours jam sessions at Mintonâs, along with similar musical gatherings at Monroeâs Uptown House, Dan Wallâs Chili Shack, among others, attracted a new generation of musicians brimming with fresh ideas about harmony and rhythmânotably Charlie Parker, Dizzy Gillespie, Mary Lou Williams, Kenny Clarke, Oscar Pettiford, Max Roach, Tadd Dameron, and Monkâs close friend and fellow pianist, Bud Powell.
Monkâs harmonic innovations proved fundamental to the development of modern jazz in this period. Anointed by some critics as the âHigh Priest of Bebop,â several of his compositions (â52nd Street Theme,â âRound Midnight,â âEpistrophyâ [co-written with Kenny Clarke and originally titled âFly Rightâ and then âIambic Pentameterâ], âI Mean Youâ) were favorites among his contemporaries.
Yet, as much as Monk helped usher in the bebop revolution, he also charted a new course for modern music few were willing to follow. Whereas most pianists of the bebop era played sparse chords in the left hand and emphasized fast, even eighth and sixteenth notes in the right hand, Monk combined an active right hand with an equally active left hand, fusing stride and angular rhythms that utilized the entire keyboard.
And in an era when fast, dense, virtuosic solos were the order of the day, Monk was famous for his use of space and silence. In addition to his unique phrasing and economy of notes, Monk would âlay outâ pretty regularly, enabling his sidemen to experiment free of the pianoâs fixed pitches. As a composer, Monk was less interested in writing new melodic lines over popular chord progressions than in creating a whole new architecture for his music, one in which harmony and rhythm melded seamlessly with the melody.
âEverything I play is different,â Monk once explained, âdifferent melody, different harmony, different structure. Each piece is different from the other. . . . [W]hen the song tells a story, when it gets a certain sound, then itâs through . . . completed.â
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Title : Does anyone have the sheet music for "Worship With My Life" by Isaiah Six?
Description : Q. I have been looking for this song for a while and am looking for the actual SHEET MUSIC. (Please note: I know the chords are available o...