Q. I have a pretty good musical ear. I can hear individual tones but I'm not to the point that I can easily hear intervals or chords. When trying to find them on an instrument, it's trial and error until I finaly find it.
One cannot be a performer if they can't recognise these things on demand.
A. It won't happen overnight, but practicing daily will improve your aural skills immensely. The most important part of ear training is audiation, which is a fancy word for your musical imagination, the tape recorder in your mind that holds the melodies that you hear. I'm sure you've had a song stuck in your head before. The trick to ear training is getting all of the musical rudiments (intervals, chords (arpeggiated, of course), scale degrees (using numbers or solfege syllables), and rhythms) stuck in your head one by one, over and over until you never forget what each one sounds like.
I don't recommend using well-known songs for identifying intervals. Here's why: Let's say you use "Here Comes the Bride" for an ascending perfect fourth. This is scale degree 5 ascending to 8 (or 1 an octave higher), or "sol do". Now that you've learned it, you can recognize that pattern whenever it happens. What will happen if you hear scale degree 3 jumping up to scale degree 6, though ("mi la")? (Listen to the beginning of Brahms's Intermezzo for piano in A minor, Op. 76/7 (http://music.barnesandnoble.com/search/product.asp?z=y&PWB=1&EAN=90266388622 click on track 6). This too is a perfect fourth, and sounds VERY different from "sol do"! Would you recognize that as a fourth? Only if you had also learned to hear that one too! Another different-sounding P4 is 7 to 3 ("ti mi")! When I teach ear training, I teach all of my students (and make them memorize) an interval drill that groups together all of the scale-degree combinations that form a single type of interval. My students sing this etude at the beginning of every class.
A far better approach to ear training than using intervals is using scale degrees. When you practice ear training, do identification drills, always singing what you hear (in a comfortable octave) after listening and then after you've learned the correct ID for the rudiment. Also do dictation. Try to write down melodies that you hear (and have the music for so that you can check your work when you are done). Finally, do a lot of sight-singing. Find melodies that you've never heard before and find out how they sound by singing them from the music. Try to avoid using the piano to help you sing, until you get lost. Then back up and find where you went astray using the piano. There's a difference between producing the right pitches for yourself and matching the pitches you hear. (You must be able to do one before you can do the other, of course.)
There are lots of great online ear training resources. One is http://www.good-ear.com/, and another is http://www.musictheory.net/. I'm sure you can find others on your own. Good luck, and let me know if I can help you in any other way!
Could anyone tell me if there is any software for voice tones recognition for composing music?
Q. Hi, everyone. I'm quite lame and I can't play any songs on piano by ear. I need some program that could proccess voice records into tones or chords, in order for me to create music sheets from those melodies inside my head. I would be really really pleased if anyone could help. Thanks for any answers given. :)
A. Music is very complex, and analyzing it for pitches and rhythms correctly is an amazing technical feat.
Create a midi file (recording) and there are Midi-Sheet Music Converter to take standard midi files and converts them into sheet music.
Could anyone tell me if there is any software for voice tones recognition for composing music?
Q. Hi, everyone. I'm quite lame and I can't play any songs on piano by ear. I need some program that could process voice records into tones or chords, in order for me to create music sheets from those melodies inside my head. I would be really really pleased if anyone could help. Thanks for any given answers. :)
A. What you are looking for would be an application that converts an audio file of a monophonic melody into midi data.
Try these
Melodyne (free trial) http://www.celemony.com/cms/index.php?id=demos
WIDI Audio to MIDI VST plugin (free trial) http://widisoft.com/english/widi-audio-to-midi-vst.html
http://www.xitona.com/products/voicecomposer/describe.html
Apparently Logic 8 has this function
Try googling "audio to midi"
For more information
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Title : How do you develop advanced tone recognition?
Description : Q. I have a pretty good musical ear. I can hear individual tones but I'm not to the point that I can easily hear intervals or chords. ...