Q. I am an adult who wishes to take piano lessons - is their a clear concensus on piano teaching methodology? I desire to be able to play classical pieces, as well as be able to read down a jazz chart!
A. Play Piano In a Flash - Even If You Don't Know Where Middle C Is
So, you've been dying to play the piano. But you don't want to spend years learning how to read music. Of course you don't! And you won't have to IF you learn a chord-based approach to playing the piano.
Here's a method I use to get my students playing piano in a flash. First, you need to learn a few chords. But not just any chord type. No. The chord type I have my students learn first is something called the open position chord. And with it, you'll be able to create your own unique music right away!
The open position chord is exactly what its name implies. It's a chord structure that covers more than 2 octaves of the keyboard AND uses both hands right away. If you don't know what an octave is, not to worry. Suffice it to say that 2 octaves are over 16 white keys. It's a handful to play this chord structure but once you master it, you'll be well on your way to unlocking the secrets of keyboard harmony.
So, how exactly can we use this chord to create music with? Easy. Take a look at my free piano lesson "Reflections in Water" (available by clicking below.) The first thing you notice about this lesson is that it's unusual. It's not your typical piano lesson by far. In fact, you might even think it looks like an art lesson - and you'd be right! I specifically designed the lessons using a step by step approach that many art instruction books use.
The lesson contains four open position piano chords with fingering diagrams. The beautiful thing about this chord structure is that once you master it, you can easily use it to play ALL the chords in all 12 keys. The first thing I ask you to do is play the chords - first all tones together (solid chords) and then with the tones broken up (broken chords.)
Once you have this chord structure under your fingers and you've developed a muscle memory for it, the rest is easy!
In the lesson "Reflections in Water," we use this chord structure to improvise a few minutes of music. The chord progression is laid out for you and all you have to do is simply follow along. I also provide audio examples so you can hear how I used the same chords to improvise with.
If you really want to play piano in a flash and don't want to wait, try the open position piano chord. You won't be disappointed!
How do I get better at Jazz Piano?
Q. I play alto in my school's Jazz Band, and I wanted to replace the senior piano player at my school. I've played classical piano on and off since I was 6, but never was to serious with it. My teacher is clueless about jazz, but i have previous chord knowledge from improving on sax. What could I do to help improve my transition into the jazz piano world, reading more complicated jazz rhythms, and comping chords?
A. PRACTICE! is the short answer. As with anything musical, and especially improvisatory and spontaneous music like jazz, developing to the point of sounding competent will take time and dedication and perseverance.
Transcription and listening is important. That's something you should be doing already for the saxophone. Pay attention to pianists on your favorite records, particularly how they comp behind others, since that will be your biggest job in a large jazz ensemble. Transcribe comping rhythms that are attractive to you as well as ones you hear often; even if you don't transcribe the exact voicing, you can still practice using the same rhythms over the changes to standards.
Practice comping in time with a metronome. If you can consistently and accurately play on a steady pulse, you can decidedly play around it. Set the metronome slower and slower while increasing the beats; for example, start with 120 bpm and play one chord every two metronome beats, then decrease it to around 85 and play on every beat, then set it around 50 bpm and treat each pulse as a full bar, playing four even notes between beats. Practice playing in this way to get your time rock solid.
If you are able to get together and play with the rest of the rhythm section from the band, I'd recommend doing so. Get together and play through standards. Work together on building a communication while playing behind (supporting) a horn soloist. Aebersold play alongs are also good for practicing comping "with a band" at home.
Another vital thing for jazz pianists is effective chord voicings. Check out Dan Haerle's book on voicings and work through his exercises. Phil DeGreg also has a really nice progressive (step-by-step) book that's great for getting good-sounding voicings under your fingers. I've studied both.
The only way to get better at reading rhythms is to do it. Sight-read through a hymnal, old songbook, whatever. If you can find piano charts for big band that only have rhythmic notation with chord symbols, those are great for practicing reading rhythm and chord progressions. Start slow and methodical; remember you are striving for accuracy, not speed. Eventually, you'll recognize rhythms from having read them so many times before, and it will come easier to you.
Above all, technique is king. If you don't know how to touch the instrument and can't get around it, all the internal theory and knowledge and tasty licks won't do you much good on the bandstand. Classical lessons aren't necessary, but they challenged me in ways that I wasn't challenged in jazz lessons. Consider taking lessons regularly (either classical or jazz or both, if you have the time).
Good luck!
How does one transpose music from one key to another?
Q. I play bass guitar and rhythm guitar in a band. Sometimes our leader changes the key, and I need to be able to figure out how to write the chords out on my own sheets in the new key our leader wants it in. How do I do this? It should be simple. I have played guitar for fifteen years but have never been taught simple theory. HELLLPPPP!!!! lol Thanks!
A. Drop or raise the note by the proper amount of steps to get the the new key.
Say you're moving from C to G, and the chords in C are C, F and G.
You need to raise the pitch 4 whole steps.
C becomes G
G becomes D
F becomes C
Bad example, but you probably get the idea. It helps me to look at a diagram of piano keys, as it really illustrates where the steps are and exactly what chord becomes what. Just google image 'piano keys' and you'll find something you can use.
Also, learn your chord families. C F G is a I - IV - V progression. If you know the numerals of the progression, you can use a chart like this: http://www.i-love-guitar.com/guitar-chords-major-keys.html to find the chords in any key with little effort. That's what I usually do.
Powered by Yahoo! Answers
Title : What is the best piano method for beginning adults?
Description : Q. I am an adult who wishes to take piano lessons - is their a clear concensus on piano teaching methodology? I desire to be able to play c...