Q. I have my ususal grand staff for the treble and bass clefs but then there are chord names above, (are those meant to be for Piano or guitar)
the book's titled: Really Easy PIANO 50 Hit Songs
so why would there be guitar chords in there???
help I'm confused! have I got it wrong? there aren't any of those chord diagrams with the dots, just letters like Am (A minor etc)
could it be an alternative way to play the songs on the piano? so like just using chords instead of notes?
but I've got to play the left hand notes and the right hand notes so how would you play both the notes and the chords at the same time?
A. Guitar chords and piano chords are the same. You can just play chords instead of the notes but I play the chord and the notes. I would really need to see the music to explain it to you, but sometimes I play more notes than what the sheet music shows. If it has only melody note, I sometimes play 4 notes, the melody note plus the note an octave higher, then I add in-between notes that would be part of the chord.
help with piano chords?
Q. could you please answer with the notes in these chords.
you dont have to answer all.
Em9
D9
C9
Em9/D
Em9/C
Em
Dm/F
C/G
Gm
they're on piano
is Em (9) the same as Em9 but just written differently?
and finally what exactly is Em9/D , Em9/C?
oh and 10 points to anyone who answers seriously :)
Prince M :],
normally i dont reply to hate comments but im not raping any little boys at the moment so i have nothing else to do.
So im a 'geek/nerd/really butty loser from high school who doesn't have any cliche he can call his own and just messes up with anyone on Y!A?'
firstly, im a girl. i didnt know piano was a nerdy thing to do, if i did i wouldnt have learned it, just so i can please you!
i never knew there was anything wrong with being smart or playing an instrument.
secondly, how short is your memory? first im a 'loser in high school' and now im a 'really ********* Y Pervert!'?
do you self a favour and stop banging your head on the bed head when you get ploughed by your giant, hairy sister who is actually your mother.
what kind of person goes through other users answers and then calls them a 'L'?
seriously...
seeing as you called me fat, i suppose im going to go eat some cake now.
i hope you get raped by a hairy lesbien who hot pockets you.
goodbye.
A. Em9 - E,F#,G,B - This is going to sound a little strange. If you play E and G with your left hand and play F# and B with your right, it sounds okay. You know chords can be split between the two hands. You also have the option of playing F instead of F#. F would be the minor 9th, but since it's a minor chord anyway, a minor 9th would sound good.
D9 - D,E,F#,A - This sounds okay in a higher register - above middle C. If you play it lower, I would play D,F#,A with my left and E and F# with the right.
C9 - C,E,G left C,D,G right - this sounds good. The D in this chord is the 9th.
Em9/D This is easy. The slash and then note just means you begin on the note after the slash. D is the 7th for E. So this would be D,E,F#,G,B (However since it's an Em alot of people would play the ninth also as a minor, so it would be an F, not an F#) The thing with ninths is you end up playing three notes in a row, in this case with the seventh - four notes in a row. You just have to experiment and see how you can make it sound okay - using two hands and switching inversions. An inversion is the order. There are three inversions.
Like with a C chord - The first inversion is C,E, G
The second inversion is E, G, C
The thired is G, C, E
Em9/C C,E,F,G,B (You could also play a D, since the D would be the 7th and anytime you have a 9th you can also play the 7th) The only set rule for this one is that is has to start with C. So the bottom note of the left hand has to be C. Try it different ways. CDF - left CE right sounds okay. Of course this leaves out the B, but sometimes you have to play it a little different to get it to sound okay.
Em - E,G,B When I play it I play it E,G,B,D - Technically the D makes it a 7th, but it sounds good.
Dm/F - F,A,D - Again if you play it as a 7th it sounds better. Add the C. F,A,C,D I like minor chords with 7th's
C/G - G,C,E
Gm - G,Bb,D
I don't know if Em (9) is the same as Em9
There is a book called "Ultimate Keyboard Chord Book" You can get it at any music store that sells instruments and books. Its by the Hal Leonard Corporation. It has all the chords.
Chords are based on scales. The basic chord is 1st, 3rd, 5th.
A 9th is really the 2nd note.
So the C scale is C,D,E,F,G,A,B,C
The 9th is D
They call it the 9th because they are thinking of it as being in the next octave. So it would be 7 notes above the 2nd note.
Here are the scales
C - C,D,E,F,G,A,B,C
D - D,E,F#,G,A,B,C#,D
E - E,F#,G#,A,B,C#,D#,E
F - F,G,A,Bb,C,D,E,F
G - G,A,B,C,D,E,F#,G
A - A,B,C#,D,E,F#,G#,A
B - B,C#,D#,E,F#,G#,A#,B
The basic chord is 1,3, 5
The ninth is the second
The seventh is the seventh
The 11th is the fourth
The 13th is the 6th
There are also scales for the flats - Bb, Db, Eb, Gb,Ab
Without writing them all out, just think of it this way. Think of the chord with the same letter but not flat. Like for a Bb, think of B. Now which notes were a half step higher? In B, the notes a half step higher are C,D, F, G, and A because those notes were all sharps. So for Bb, those notes would also be a half step higher, meaning, C,D,F,G and A would be played as regular notes and B and E would be flat. So for any scale, the flat scale would play the regular notes as flats and the sharps would become the regular notes. Like in D - you have C# and F# - So for Db- C and F would be regular, everything else would be flat.
Db - Db,Eb,F, Gb,Ab,Bb,C
How do they name chords?
Q. I have a book that shows all the chords on the piano but I have no idea where they got the names from. I understand what inversion means by looking at the patterns but I have no idea what the other stuff is. Like Csus4, C6, C7,C(degree sign)7,C minor 7 flat 5. What does the sus mean? What do the numbers mean? What does 7 flat 5 mean?
A. Chord Naming
http://www.standingstones.com/chordname.html
Usually the lowest note played becomes the letter the chord is named after (there are some exceptions eg inverted chords and slash chords but that is not important right now) - the other notes determine what "type" of chord it is.
So say the lowest note I play is A, I know it is an A chord of some description (well almost always) and I can work out what type of A chord from the other notes if I know my major scales and my chord formulas.
If you skip ahead in PMT a few pages you will note that major chords have the formula 1, 3, 5 - minor chords have the formula 1, b3, 5 - this is consistant and you might see or hear of them referred to as a triad.
So say I'm playing a chord but don't know what to call it - the way to work it out is to identify the notes I'm playing. For the example, if the lowest note is A and I also work out that I am playing C#, E - I align that to the A major scale and I would see that I am playing the 1st, 3rd & 5th notes of the scale so therefore I would call it an A major chord NB in tabs a single letter eg "A" really means A major but by convention it isn't stated as such.
If I discovered I was playing A, C, E - I would still call it an A chord but when I compared it to the A major scale I would see that C would actully be a flat 3rd - so this would make it a minor chord and I would call it Am
Note the 3rd controls the character of the chord i.e. whether it is a major or a minor - straight 3 = major, b3 = minor
Often when we play major or minor chords we actually play more than 3 notes but that is because we duplicate some of the notes - take A major for example, we play the A open string (which gives the chord its name), E on the 4th string, A again on the 3rd string, C# on the 2nd string and the open E on the little e string but essentially all the notes are A, C#, E
Now for lots of other chord types we add in a fourth note (a quadad). So when you see D7 it really means D dominant seventh (not a minor seventh, a major seventh, or a diminished 7th) the formula for a dominant seventh chord is 1, 3, 5, b7
So in this case we use the D major scale and see that 1, 3, 5, b7 are the notes D, F#, A, C and we call this D7
If we played D, F#, A, C# that would equate to 1, 3, 5, 7 of the D major scale and that would be called a D major 7 chord.
D, F, A, C would be 1, b3, 5, b7 of the D major scale and would be a D minor 7 chord (note the b3 is calling the shots on it being a minor)
And so on, and so on - this is the same for all chords - as long as we know the chord formulas for the different types of chords and we know how to relate that to the relevant major scale then we can work out what notes to play if we see a chord on a tab but haven't learned that chord shape yet simply by applying the formula. Alternatively if we are playing a chord shape that someone has shown us but are not sure what to call it we can work it out, again by seeing what the notes are and seeing which formula it fits.
Now onto your Cadd9 - that just means add the 9th degree of the C scale to your C major chord - so instead of playing 1, 3, 5 or C, E, G we add in a D NB not the D at the 2nd degree of the scale but an octave higher at the 9th degree.
Sometimes you will see a "sus" chord - either a 2 or a 4. That just means suspend the 3rd (take it out) and replace it with the 2nd or the 4th. So this chord is neither major nor minor but is a sus chord.
All the common chord formulas are in PMT
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