Q. I am an adult who wishes to take piano lessons - is their a clear concensus on piano teaching methodology? I desire to be able to play classical pieces, as well as be able to read down a jazz chart!
A. Play Piano In a Flash - Even If You Don't Know Where Middle C Is
So, you've been dying to play the piano. But you don't want to spend years learning how to read music. Of course you don't! And you won't have to IF you learn a chord-based approach to playing the piano.
Here's a method I use to get my students playing piano in a flash. First, you need to learn a few chords. But not just any chord type. No. The chord type I have my students learn first is something called the open position chord. And with it, you'll be able to create your own unique music right away!
The open position chord is exactly what its name implies. It's a chord structure that covers more than 2 octaves of the keyboard AND uses both hands right away. If you don't know what an octave is, not to worry. Suffice it to say that 2 octaves are over 16 white keys. It's a handful to play this chord structure but once you master it, you'll be well on your way to unlocking the secrets of keyboard harmony.
So, how exactly can we use this chord to create music with? Easy. Take a look at my free piano lesson "Reflections in Water" (available by clicking below.) The first thing you notice about this lesson is that it's unusual. It's not your typical piano lesson by far. In fact, you might even think it looks like an art lesson - and you'd be right! I specifically designed the lessons using a step by step approach that many art instruction books use.
The lesson contains four open position piano chords with fingering diagrams. The beautiful thing about this chord structure is that once you master it, you can easily use it to play ALL the chords in all 12 keys. The first thing I ask you to do is play the chords - first all tones together (solid chords) and then with the tones broken up (broken chords.)
Once you have this chord structure under your fingers and you've developed a muscle memory for it, the rest is easy!
In the lesson "Reflections in Water," we use this chord structure to improvise a few minutes of music. The chord progression is laid out for you and all you have to do is simply follow along. I also provide audio examples so you can hear how I used the same chords to improvise with.
If you really want to play piano in a flash and don't want to wait, try the open position piano chord. You won't be disappointed!
How do chords and musical keys work?
Q. Like, let's say I establish a melody that uses...I don't know, F# and B flat. What would that mean? And how do I know what chords sound good with which notes?
Basically I'm looking for a lesson on musical theory for really, really dumb people. Like, you're going to need to dumb it down majorly.
Your help is very much appreciated!
A. 1) You first need to understand the chromatic scale. In other words, you need to realize that there are 12 unique notes that repeat every octave. You see how on the piano that there is a pattern after every 12 notes?
2) Next, you need to know the Major Scale. The major scale is the cornerstone of music theory - learn it, live it, love it. First we need to define Whole Steps and Half Steps. A whole step is when you start at a note, and make a jump of 2 notes (like from C to D, or A flat to Bflat). A half step is a jump of one note (like from B to C, or F# to G). The major scale is first formed by picking a random note, lets say, C. Then you follow the major scale pattern: whole step, whole step, half step, whole step, whole step, whole step, half step. So if you start on C, the major scale would be C,D,E,F,G,A,B, and back to C. Another example: If you start on G, then the G Major scale would be G,A,B,C,D,E,F#,G.
3) The key of a song basically tells the band what major scale to play in and pick notes to play from. This is very important because if your song is in the key of G major, but if a band member plays A flat, then that note will sound "off-key" - it will sound wrong.
4) It is also important to realize that chords come from the individual notes of the major scales as well. Lets say we are in the key of C Major. The notes in our key are C,D,E,F,G,A,B, and C. The C major chord is formed by playing the 1st, 3rd, and 5th notes of the C major scale together. C-E-G played together will be a C Major chord. Notice that the chord is formed by stacking 3rds. By this I mean that to go from C to E, you go C - D - E. You had to go up 3 notes in the major scale to get to the E. So just realize that C-E is an interval of a third, and E-G is an interval of a third. Now, you will see that there are In fact more chords that exist in the key of C Major. There are a total of 7 chords that can be played in each key. Staying in the key of C Major, the other chords are: If you start on D, you can get the chord D minor by playing D-F-A at the same time, you can get E minor by playing E-G-B at the same time, F Major: F-A-C, G Major G-B-D, A minor: A-C-E, and B diminished: B-D-F. Each chord has its own charataristics. Major chords tend to sound happy, minor chords tend to sound sad or dark, and diminished chords have a lot of tension.
5) Chords themselves, each have a vital function and interact with the melody played at the same time, and previous chords played. It is worth pointing out that we assign the chords in each key a number. For example, in C Major, our 1 chord is C Major, because if we start on the first note, we get C Major. Starting on the 2nd note, we get D minor, so D minor is our 2 chord. 3 is E minor, 4 is F Major, 5 is G Major, 6 is A minor, and 7 is B diminished. The reason we number the chords in each major scale, is because each chord number has a function. Songs usually start and end on the 1 chord, sometimes the 6 chord if it is a sad song. The 5 chord has tension that wants to get resolved so the 5 chord likes to go to the 1 chord after it is played. It is common to play the 2 chord before the 5 chord, in fact, the 2-5-1 chord progression is the most important chord progression of all time. Other common chord progressions heard in pop/rock music include: 1-5-6-4, 6-4-1-5, and 1-6-4-5.
6) If you have a melody, you need to figure out what key it is in by finding out what major scale contains all (or most) of your notes. Your song has a melody with F# and B flat. This could be F# Major, B Major, or C# Major, depending on the rest of your melody or desired harmony. Once you decide on a key, you can find out what chords fit into this key, and play them under your melody.
I know it is a lot of information, don't get discouraged. It will take a while for it to all make sense, but don't give up. It will be totally worth it when you are making all kinds of music you like!!!
How To Start and Indie Folk Rock Band?
Q. Im thinking along the lines of Sufjan Stevens meets Seabear and Fleet Foxes in that style, how could i make my own.
I know the use a lot of organic acoustic instrumentation such as Toy Pianos, Melodicas, Tambourines and Acoustic Guitars.
What else goes into that kind of music that just makes it stand out from the rest??
A. Find a local (or internet store) that specializes in folk music instruments. http://www.hobgoblin-usa.com/info/glossary.htm - Find out which instruments you really like the sound of. Learn to play them. Find at least 1 or as many as 2 to 4 other musicians who would be interested in working with you to write and record music. In short, you just do it. What instruments do you want to include in your music? What do you like (what ingredients) from existing folk songs which you can emulate and incorporate into your music. What rhythms, pauses, chord progressions, beats, sounds, etc. Now use your imagination ... what other sounds can you incorporate into your music to give it an original feel? Sounds of water, birds, animals, rain, thunder, unique vocal sounds, maybe even a fart or two. Be creative and then put it all together into something that you are extremely proud of. The just share it with the world.
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